Emerging as an accidental intervention within the series, this piece is the result of a subverted instruction. I asked my brother to document the process of 3D scanning our mother's hand. After a three-month period of negotiation and refusal, he surrendered the files in a single transfer; rather than following the directions, he had documented himself pacing our childhood bedroom.

The twelve lenticular images of Going Home are mounted on the wall to reconstruct the visual data of a room, shifting dynamically with the viewer's movement. Each lenticular image holds two frames of a moment in space at once, creating a sense of fluidity and transition. Framed in the same material as the sculptural piece, the images act as pixels, highlighting both the available and the digitally lost information. Together they form a fragmented yet evocative space, shaped by what remains.